“And to be in that will state of creation will be bliss,” says J. Krishnamurti. Probably this is why a true designer is so passionate about being impressive. Kumar Gandharva was this kind of artiste whose creative guru enthralled music lovers for more than six decades. His studies and innovations overflowed the Raga Sangeet, revived Bhakti Sangeet, and explored the fields of people’s music. Find the arunaiyin perumagane lyrics here,
Delivered on 8 April 1924 in Sulebhavi near Belgaum in Karnataka, Shivputra Siddramaiyya Komkali seemed gifted with an unusual natural talent in childhood. At the associated with 7, he could often reproduce the renderings of the masters connected with classical music like Ustad Abdul Karim Khan, Ustad Faiyaz Khan, and Rehabilitation. Vazebua with incredible brilliance. He was affectionately nicknamed seeing that Kumar Gandharva( the paradisiacal singer). This name was to help shine with the brilliance belonging to the full moon in the sky of Hindustani classical music. click here
Though Kumar’s debut album containing Badik? Lis Durga(“Sakhi Mori Run Jhun”) and Bhairavi(“Shyam Sundar Male Mohan”) were released when he ended up being only 9, yet the 11th year of his lifestyle proved to be a great success. In 1935 first executed at the All India Convention of Music at Allahabad in front of a sizeable select market of Pundits and musicologists, including Aftab-e-Mausiqui Ustad Faiyaz Khan and the famous play singer Kundan Lal Sehgal. Highly impressed; Sehgal supposed him to Kolkata to do a music conference. Within Kolkata, the young man sang a thumri “Piya Bin Nahin Avat Chain” in raga Jhinjhoti, and the majority held the audience spellbound with his remarkable perfection and control. Later in 1936, he performed in Jinnah Hall of Mumbai, and the concert was again compelling. The next day The Times of India and other newspapers were full of his praise and recognized him as “an upcoming genius.”
GROOMING OF A PROFESSIONAL:
Kumar Gandharva found their guru and mentor within Prof. B. R. Deodhar, a doyen of the Gwalior Gharana and a disciple associated with Pandit Vishnu Digambar Paluskar. Under his tutelage, Kumar learned various particulars of Khayal gayaki and other genres of Hindustani tunes and became an independent thinker on music. At Ma? tre. Deodhar’s music school enjoyed meeting doyens of various Gharanas of classical music, including Ustad Bade Ghulam Ali Khan, Ustad Sinde Khan, and Pt. Rajabhaiya Poonchhwale and listening to them.
About 24 April 1947, they got married to a pretty, beautiful girl Bhanumati Kans. A postgraduate from Street. Xavier College of Mumbai, Bhanumati herself was a familiar vocalist and remained typically the inspiration behind Kumar’s innovative developments. But she was unaware that soon she would have to take full responsibility for the family to seduce her young shoulders. Just after a few months of their marriage, your ex-husband was diagnosed to obtain lung tuberculosis. The family altered to Dewas in Madhya Pradesh for Kumar ji’s treatment. Bhanumati started doing work as Headmistress in an institution.
It appeared that the occupation of Kumar Gandharva had to end. He had to travel for a highly complex lung surgical treatment. But he returned to music in 1952, having a very distinctive style of gayaki which was very much his own, along with a deep insight into songs that he had developed through his study of folk songs of Malwa during their forced confinement to mattresses due to illness. He joined up with classical music back to the roots of folk music and enriched both.
THE REVOLUTIONARY GENIUS:
Kumar Gandharva is undoubtedly a rebel of Hindustani classical music. But their rebelliousness inspired your pet to experiment and discover the field of music. Rather than following the beaten path, he favored finding new ways of neuro-scientific performing music. Though this individual always came on the phase with a new set of bandishes, his aged bandishes presentations were equally relaxing and enchanting. Also, this individual created many new ragas such as Malvati, Ahimohini, Gauri Basant, Lankeshree, Lagan Gandhar, Sanjari, Madhwa, Madhsurja, Saheli Todi, Chaiti Bhoop, Sohni Bhatiyar, Durga Kedar and Bhavmat Bhairav. In 1969 they paid his homage for you to Mahatma Gandhi with Gandhi Malhar when the Nation celebrated the latter’s Birth Centenary.
In 1961 their beloved wife, Bhanu, passed on. It was a great shock for you to see him. Later he committed to Vasundhara Shrikhande. This lady was a familiar vocalist and contributed selflessly to all innovations of your ex-husband. In 1965 the first number of the book ‘Anoop Raag Vilas’ containing 136 combinations of 107 famous old ragas, 17 of his own along with 12 complex ragas, was published. Kumar dedicated this particular to Bhanumati.
In 1966 he came out with a whole live concert on the theme of the wet season-Geet Varsha. It was an unprecedented good event in the realm associated with classical music of the period. He presented this program with 18 arrangements, including kayaks, thumris, tapas, and bhajans. Then implemented Triveni(1967), Mala Umajlele Bal Gandharva(1968), Geet Hemant (1968), Thumri Tappa Tarana(1969), Malwa ki Lok Dhunen(1970), Geet Basant (1971), Tambe Geet Rajani(1973), Tulsi Ek Darshan(1973), Rituraj Mehfil(1976), Gaudmalhar Darshan(1976), Tukaram Ek Darshan(1976), Surdas Ek Darshan and Hori Darshan.
He presented unique concerts, each one devoted to their exposition of a particular raga like Malkauns, Bageshree, or even Hameer. Generally, he revealed different facets of a single raga, with as many as five or six bandishes-traditional as well as his own. For your pet, a raga is as powerful as a living being and has various incarnations.
Perhaps Kumar ji visited his best when performing devotional songs, especially Nirguni Bhajans. He presented bhajans of great saints such as Kabir, Meera, Surdas, Tulsidas, Gorakhnath, and Shivguru, using unmatched skill to express their meanings and generate an exalted devotional natural environment. Nirguni Bhajans, whether ?t had been “Sunta hai Guru Gyani” and “Ud jayega hans akela” of Kabir or maybe “Bhola man jane enquirer meri kaya” of Gorakhnath, will always remain an all-time favorite among his fans.
Kumar Gandhrva was conferred several awards, including Sangeet Natak Akademi Award, Padma Bhushan, and Padma Vibhushan. Probably he was the only musician throughout whom people from other career fields of arts, such as copywriters, poets, sculptors, photographers, artists, and actors, took a lot of interest. This great musician passed on on 12 January 1992, leaving behind his wife, a single son, and one daughter. The son Mukul Shivputra’s great-daughter Kalapini Komkali is a well-known classical singer. Great grand-son Bhuvnesh Komkali is performing in concerts and s a promising classical vocalist who icanhe light of this immortal tradition of creativity and innate music.